Of course if you are taking shots of the local flora then this doesn't really apply. It is highly unlikely that a tree is going to feel put out because you took your shot when it's foliage was not at its best - but a person may.

For example, you're prowling the backstreets of some Third World city, or even your own, trying to capture a particular mood. You get an old woman in your viewfinder who has obviously seen better days. All the same, there is something you see in her pose, something noble in her expression, so you shoot it.

Later you can fix the shots in photo editing software, give it a good color balance and your friends will admire it. Obviously you derive the pleasure of your efforts - but what did the model get?

Back when I was first taking photos I caught sight of a one legged man on a crutch hobbling towards me along a city street. It was a striking image, so being a god with a Nikon I brazenly stepped out and took it. My subject became very upset - and I could see his point: nobody wants to be recorded for posterity looking bad?

When I returned to the darkroom I threw the negative out and made a vow not to do that again. Should I have asked his permission first? Because he most likely would have refused permission, this would not have resolved the situation. The point was, why was I taking that shot in the first place? Had I thought about it a little more I probably would have taken my shot from behind and spared his feelings.

Sometimes the true value of the image when you take a candid shot, is in the subject not being aware of you. These images can be wonderful but the effect could be ruined by you stating your intention beforehand. Nevertheless, once you have your shot why not approach the person and ask if you can take another, this time doing the best you can to take a more flattering version. It's likely they will never see it but what holds true is that it is the thought that counts.

Another variation, especially if you're in some Third World country where the locals have probably been photographed every which way by thousands of tourists, is to carry some small denomination notes or coins in your pocket, and politely offer payment for the modeling work. This is most often well thought of and it's good for your soul.

As another example: I once conducted a photo essay for myself on a particular school. Offering an individual print to every teacher and student was impractical for me at the time so I burned a collection of the best shots on to a CD and gave it to the principal.

Another time, I shot a dog class and made some small prints of the ten best shots and gave them to the trainer to pass out at the next class.

All of this is simply good manners, and showing good manners is always well received. Also you will probably find yourself to be welcomed back in the case of having to re-shoot anything later.

Try it.

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