What Makes a Good Nude Female Photograph – Female Photography
People generally agree that the nude female form is more beautiful than the male. The arguments generally cited for this include that women have more curves and less obvious musculature, or that male bodies are more 'functional'. Whatever the reason, couple it with the fact that (particularly historically) most artists are male, and you have a large preference in photography for nude photographs of women rather than of men.
But what makes a good nude female photograph? There are three main principles.
#1: It should be interesting to look at
Nude photography is synonymous with that branch of photography known as 'fine art'. Fine art photography can be defined as 'photography created for no other purpose than because it's interesting to look at'. As such, nude female photography is about presenting the female form in a way that is interesting.
In order to make an interesting image, nude female photography tends to favor black-and-white images that are full of light, shadow, shape, and contrast. There are usually carefully composed and lit in order to achieve this.
#2: It should be anonymous
Nude photography is not 'about' the person that is in the photo - in fact, the face of the model is often not even included in the frame. Contrast this with portrait photography, where the idea is to reveal or display something about the subject's life or (more often) their personality. Nude photography is really the opposite of this, because it's about the female form in general, not this person in particular. In nude photography, the person in the photo really serves only as an example of a category, with the category being 'women's bodies'.
Oscar's most famous works is an allegory called "The Two Ways of Life" (1857), capturing a frame guiding two youthful men towards manhood. One of the men looks interested in gambling, wine, prostitution, and idling, while the other attracted towards figures symbolizing religion, family, industry, and good works. In the centre, appears the veiled, partially clad figure, symbolizing contrition and turning towards the good. The same year the photograph was displayed at the Manchester Art Treasures Exhibition. The photograph though shrouded in controversy, eventually fetched fame for the artist. He was extended the membership of the Royal Photographic Society of London, which in turn earned him respect in the high society of London.
I was able to report back to my customers that this group of commercial photographers is prepared for any commercial photography challenge, whether it's M&Ms or shrimp or forks rolled in a ball, chocolate dripping enticingly from a chocolate bar, glistening fruits and vegetables, a refreshing beverage, or a scoop of fresh ice cream. What a great day I had being immersed into this exciting new world of photography
Resource Author Francisco Rodriguez H.
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